scurlock: (sitting in chair)
[previous: five]


(The week that Tim Hunter spends on the ranch is one of the more surreal weeks of Doc's life.)

It's almost like the days before the Lincoln County War -- a full day of honest work, followed by a hearty meal and a drink or two by the fireplace with friends. It's easy to forget the facts; that the Regulators are all dead and buried, that they 'lost' the war against the Murphy-Dolan faction and the Santa Fe Ring, and the bounty that sits on his head.

The bounty that used to sit on his head.

Doc keeps the story of how he survived the gunbattle at Stinking Springs to himself -- Tim gets the hint to stop asking after the third or fourth time that Doc changes the subject as soon as the question is asked, with a gruff curse and stern glare. Frank is smart enough not to ask, but that doesn't hide the fact that he's curious.

He knows they're curious.

You'd be curious, too. )
scurlock: (winter on range)
[previous: four]



"M'surprised y'still got it in you, Doc."

Doc lifts his gaze from the fencepost he's crouched in front of, focusing on the backlit figure standing above him, eyes narrowing to protect against the hot glare of the sun's rays. "Just because I spent the last few years livin' on the run don't mean I've forgotten how t'mend a fence, Frank."

"Based on those nickel books, y'done more than been livin' on the run."

Raton, New Mexico Territory )
scurlock: (need more coffee)
[previous: three]


It takes the graze on his arm three weeks to heal over completely, the pale blaze of skin across his suntanned skin a stark reminder of a promise he'd made the last time he'd been in New Mexico.

You said you weren't gonna get shot.

It's also a reminder of the bar he can't seem to find, no matter how hard he looks for it.

He's lost track of how many doorways he's stepped through, finding himself forcing down a feeling of disappointment -- or sometimes, annoyance -- to find an empty room on the other side. Hotels haven't worked; neither have bathhouses or barbershops. Restaurants turn up nothing but food and drink; whorehouses have nothing but working girls and whiskey. Saloons are rarely empty, but they're never the right barroom -- the view from the window never quite compares to the one at Milliways.

It takes him an additional two weeks to find a familiar face.



Raton, New Mexico Territory. )
scurlock: (by your side)
[OOC: Co-written with Kate's mun. :)]


Doc is sitting on the edge of the bed, watching as Kate moves around the room and packs their bags full of gear - she'd offered to handle the task, and he'd accepted.

"We're gonna have a hell of a time gettin' out of here without nobody noticin', especially with gear and a horse the size'a Beaut, Kate."

She stops mid-step, turning her head to gawk at him.

"What're y'tryin' t'say? That my horse is fat?"

Read more. )
scurlock: (blood stained)
[immediately following THIS]

He can't hear a damn thing.

His ears are ringing from the sound of the gunshots, everything muted by a static buzz that he's trying to shake off. His blood is rushing through his veins, and he's aware of a sharp, stabbing pain in the right side of his torso, beneath his arm.

It's spreading.

(It reminds him of the time he put his fist into that mirror in his bathroom back in the bar - glass splintering and breaking as the web of cracks expanded outwards towards the edges.)

His fingers are pressed against the hand-hewn hardwood floorboards --


where did you drop your gun find it get up



His eyes are squeezed shut --


you got her out the door before open your eyes he fired the kill shot



His side feels like it's on fire --


bastard got you s'just a scratch get up boy he got



And he still can't hear a thing - though things are starting to quiet down, the din and static buzz slowly fading to background noise.




It doesn't stop him from talking, even if it hurts.



"Kate?"

His voice sounds raspy, even to his own ears. His mind is playing back the scene and the way her body jerked when she was struck, legs twisting like a puppet with tangled strings as she fell into his side, and his heart leaps into his throat.

He paws at the floorboards again, trying to get up and roll over, force himself up. He can't quite get his limbs to work right, nothing is coordinating the way it should be.

"Kate, are you--"



please get up

scurlock: (sleeping)
They haven't been spending much time downstairs or outside, the last few weeks - it's simply not safe. And even if Ramon is currently trapped in tree form, there's no telling how many allies the man might have roaming the bar. Precaution wins, when it comes to the notorious habits of outlaws and their safety - despite many tales to the contrary, just because they act wild and carefree does not mean they're not careful.

Doc is upstairs, but not in his room. Instead, he is stretched out on his back, on her bed - boots left by the door, of course - with his gunbelt draped over a chair near the side of the mattress, within reach if he needs it.

By all appearances, he was at some point reading, given that he's got a book resting on his chest. But at the moment, the outlaw-stablemaster-poet is currently having a light nap, thanks to the amazingly comfortable bed that Kate picked out when she redid her room.
scurlock: (writing)
The room is somewhat dark, and quiet -- save for the soft glow from the lamp flickering on his desk, and the faint scratching of his pen on paper. He's occasionally pausing to dip the tip into the inkwell, and in those moments he glances over at his bed, looking at the sleeping figure curled up in the blankets.

His eyes are a bit tired (which explains why he's wearing his glasses) but any more light might disturb her from her sleep, and he has no intention of doing that.

After pausing, he resumes writing, pen to paper once again, setting down words with careful, neat strokes.
scurlock: (thirties: grin)
[after this thread]

Normally, Doc would never even consider doing anything like this, but this is not a normal situation. Thanking every god he knows for the fact that it's still very early and that the stables are deserted at the moment, he backs his way out of the stall, carrying her weight easily.

(With the way she's clinging to him, her legs around his body and her arms tight around his neck, it's like she's a part of him, anyway - making it to the tack room is surprisingly easy.)

The door shuts with a solid thud and then his lips are on hers again, his mouth still desperate for her kiss.



[Adult content below, obviously...]
scurlock: (cats: love you)
Even after ten years, not much has really changed about Doc's room. In the month since he's been back, he's moved a few things here and there, changed the sheets and blankets - no need for winter cover when it's a warm summer season, and so on - and added a good deal more books.

As Doc opens the room, he steps aside to let Kate in ahead of him. She's spent several nights here as well, over the last month. It's familiar territory.

Safe.

There's a few more shreds of that silk scarf on the bed, along with several other various cat toys that have been dragged out of the ridiculously enormous basket near the couch and strewn over the cushion.

The desk is covered with a ledger and the pages full of his handwriting, neat and precise. A book of Shakespeare is on the bed, closed with a book marking a particular chapter he left off on.

He moves to open the windows, to let the cool summer night's air in, after he's shut and locked the door.
scurlock: (thirties: grin)
[follows this]

She's peaceful.

Doc stays awake once Kate has fallen asleep, choosing to watch over her and keep 'guard' instead of getting his own rest. He's not particularly tired, even after not getting any sleep the night before thanks to the conversation with Bill. His mind is alert, and awake - yet his thoughts wander, and time passes without him really knowing how long it's been.

Approximately a half-hour after she's drifted off, he decides to fetch the tea he promised earlier. It won't take long to run downstairs and make a quick stop at Bar.

When he moves from the bed, he's careful not to jostle the mattress or make a sound as he pads across the room to the desk. He pens a note and leaves it beside the one from Esfir, just in case Kate wakes while he's gone:

Getting tea. I'll be right back. - J

He continues on through the room and unlocks the door without making a sound. The only noise that echoes faintly is the click of the door being unlocked, and then he steps into the hallway--




-- and nearly into Esfir.

A pause.




"Good timin' or what?"
scurlock: (thirties: shadowed)
He needs to check on things - even if he hasn't been here in ten years, in his timeline, he's still the boss - so Doc makes his way out into the stables with the intention of seeing how his stock is doing and perhaps taking Cortez out for some work.

What he finds, however --

agitated horses, signs of a struggle and scuff marks in the straw, a body lying on the ground near the wall, blood staining the shirt, and the all-too-familiar scent of sulfur on the air

-- is not what he's expecting.

Doc draws the Colt from his hip with a well-practiced grace as silently crosses the space between doorway and body - no, he's still breathing - and moves into a crouch. He doesn't see a weapon on the floor, or on...

...Ramon?

He narrows his eyes and shifts on his feet, gun still cocked (but muzzle pointed at the floor) in his right hand. He reaches out with his left and taps the drug lord on the shoulder.

"Ramon."

Hopefully he'll wake up on his own, and Doc won't have to go get help to carry his ass inside.
scurlock: (no line on the horizon)
[previous: two]



It had become easy to settle into a routine, even if he'd stopped obsessively looking for the door back to the bar - maybe that was his problem, that he was trying too hard - weeks ago.

He'd spent the early evening out in the desert on horseback, putting Nova through his paces down in a wash, before he'd returned and ridden back into town. He took a bath, then headed downstairs for his cup of coffee.

The bartender smiled. "Evenin', Mr. Gordon."

"Christ, Jonas. If you call me that one more time, m'gonna have t'bust your head in," he teased.

"Figure things out, yet?"

Not yet. )
scurlock: (yg2 shot)
[previous: one]



He'd never minded riding at night - especially in the desert, on nights with a clear sky and a full moon - and this was no exception. He rode by night and slept during the day, hopscotching his way across Texas and into New Mexico territory.

He could have gone to Oklahoma, or Colorado. But he chose New Mexico.

You're already wanted there, anyway. )
scurlock: (alone with horse)
It was only supposed to be a quick trip.

He'd left early one morning for a quick ride out in the desert - his desert - in an effort to get Nova readjusted to the desert heat and the dry air.

(Secretly, another reason for heading back to his world was that Doc was attempting to fight off the feelings of not 'fitting in' anymore, and he'd hoped that a brief excursion to a place where he did might help.)

The problem with not staying in any one place for very long was that the door to Milliways never really had a chance to catch up with him and settle down. Finding the Bar was a matter of luck (or accident) at the best of times.

So when the sun had set over the desert at long last, heat-drenched air only cooling a few degrees, it was no surprise to Doc that the barn door he'd slipped Nova out of earlier that morning opened not into the crowded bar he was hoping for, but...well, a barn.

He had his pistol, but no long gun. His saddlebags were packed with a few days worth of provisions (out of habit for being ready to move at a moment's notice) but little else.

Doc glanced over his shoulder at the horse, who seemed to be waiting impatiently for something. The street near the livery barn and stable was quiet, and he took a moment to run his fingertips over Nova's nose, steel-green eyes meeting dark brown ones. Thinking...and wondering.

The horse was still sound - getting exercise back at Milliways, long stretches of open land to run over, trails and trees to navigate - but there was something else on his mind entirely.




Was he still sound?










There was only one way to find out.
scurlock: (under them skies of blue)
[previously]

It takes two hours for the dust storm to hit - and true to the cattle driver's word, it's not as bad as the one they had the week before.

However, as far as Doc is concerned, it's absolutely horrible.

He can't ride in the cloud of dust. )
scurlock: (under them skies of blue)
The first thing that reminds him that he's 'not in Milliways anymore' is the way the heat sticks to his skin from the moment he steps out of the stables and livery into the hot, blazing Texas sunshine. Cortez exhales a warm breath against the back of his neck, and Doc can't help but smile.

It feels good to be back. )
scurlock: (Default)
June starts with Katherine still being gone, and Doc speaks with both Kate Warner and Jasper Whitlock.

Later, he talks with Coyote, who helps him look for Katherine. A few days after that, he talks with Coyote again and makes plans to come with her to Las Vegas to assist in a distraction.

He talks with Ramon and with Teja, before leaving for Las Vegas before he gets back.

A few days later he talks to Bill and finds out that Boo has been kidnapped, and then the next morning he talks to Kate Warner about the same thing. He also talks to Mia about her upcoming pregnancy.

For July, Doc makes the choice to go home, and he talks with Will and Charlie before he leaves some notes and goes out.

While he's out in Tascosa, he finds some things he's been missing, before finding out that they aren't really missing at all. (Second link has threads with Will, Ben Wade, and Atton.)

Shortly after that, he speaks with his old pal Billy, and then finally gets a chance to talk with Kate on their 'anniversary', before he meets Henry Wellard.

He and Guppy discuss his new charges

TBC
scurlock: (raised eyebrow)
[after the candy lady]

They arrive at the airport a teensy-bit travel weary and still a little bit hungover, in Doc's case but relaxed. They're both sporting a tan, and their cowboy hats.

Bill is glad to see them - more glad to see Kate, naturally - but he can't help but wonder if there's been something bothering him while they've been gone. He holds Kate a little closer as they head to the truck.

They make conversation as they head back to Wheelsy, about the trip and the things they saw (complete with an apology for the phone call in the middle of the night that woke him up) and it seems that the trip back home takes a lot less time than the drive up did.

He can tell that Bill wants a chance to catch up with Kate, so he excuses himself to go grab a shower so that they can talk without him hanging around.

(It's only proper courtesy, after all.)

After he's out of the shower and dressed, he heads down the hall towards the kitchen.

"Hey, Doc? I can talk to you, a minute?"

Bill tips his head towards the back door.

He keeps an eye on his friend for a second, before he heads out, and he steps out onto the back porch, looking out at the sunlight fading from the sky behind the house. Doc knows something isn't quite right. Maybe it was the way Bill was looking at him, or a hint of worry in his eyes. Maybe it was the fact that Kate was letting her boyfriend talk with him instead of catching up on the events of the trip (even though Bill had gotten a hell of a re-telling in the car on the way back from the airport) and spending some quality time together.

Or maybe it was just the worry that he'd managed to keep hidden all weekend creeping back up into his chest.

Whatever it was, it's the reason for the way Doc glances at Bill as the backdoor shuts behind him and he steps out onto the porch.

"How've things been?"

It's open-ended, casual, and calm.

Inside, Doc is anything but - though he hides it well as he sinks into a chair.
scurlock: (content)
After they leave White Oaks, they find what Doc might consider one of the best hangover breakfasts in the world at a Denny's on the road back towards Albuquerque.

The only thing that could have possibly made it better would have been more whiskey, in Doc's opinion - but he refrained from mentioning that in favor of drowning his waffle in extra strawberries instead of whipped cream.

(It's no secret that he has a fondness for fresh fruit.)

Once breakfast is done, they hit the road and swing back up towards the airport, with the top peeled back and the radio up, and for awhile Doc even ignores his hat, choosing to let the sun hit his skin.

It'll be nice to have a tan.

A few dozen miles outside of the city, there's a roadside rest stop / gas station / liquor and convenience store / restaurant and they pull in and head inside in search of souvenirs.

To say that they hit the jackpot (a full tank of gas, 5 postcards, one t-shirt (in Spanish), and two bottles of 'Gatorade' later) is an understatement, even if Kate has to spend almost a half-hour assuring Doc that the bright orange beverage is not made of alligator byproducts.

They see a sign in Old Town advertising a very popular candy store, and since boys will always be boys - meaning, that they'll always love candy - they decide to stop in.

Doc goes for the hard candy - it doesn't melt as easy, and he's always had a soft-spot for 'rock candy', and the flavors here are incredible. Lime that actually tastes like lime.

(Kate may be required to do some online-ordering once Doc runs out of the stuff, if Bar can't just get it for him.)

But the real prize of the afternoon is when Doc spots a bright pink t-shirt hanging behind the counter, emblazoned with the words 'THE CANDY LADY' beneath a pinup-esque drawing of a woman in an apron. On the back is the tagline and address of the shop.

His lips quirk into an amused smirk, before he turns and goes to find Kate.






"...what's Bill's shirt size, again?"

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