Entry tags:
oom: room 25 / later outside
After taking care of his morning chores and the conversation that came with it, Doc leads Katherine up to his room, box of donuts and two cups carefully held in his hands.
Once he's opened the door and they've stepped inside, the first thing she'll notice is that he's changed the layout of the room a bit, and his bed has been shoved up against the wall, his desk moved closer to the door. There's a new couch by the windows, with an end table that wasn't there before as well.
"Figured if I was gonna be livin' here I might as well make it less like a hotel room," he offers, by way of explanation, as he closes the door behind them with his foot, but doesn't bother to lock it.
There are books stacked on the desk, but not poetry or literature. History of Medieval England, for one. Several medical texts. There's an empty glass (and half empty bottle of Laphroaig) sitting on the desk as well. Scattered pages of notes. Half finished poems. Nothing but scratched sketches from a bored and frustrated writer's hand.
His bed is roughly made (sheets and blankets pulled up but not tucked in) and there are several other books on the side where another person would sleep. A hard bound selection of Keats is tucked in with a leather bound journal or two.
She'll see, tacked to the wall between the bed and desk, a piece of paper with the poem Jack quoted to him at a Happy Hour a few weeks ago, handwritten in black ink.
On the dresser, there are still the two folded paper cranes, one pink and one brown, but a third, a bright orange (like canned peaches) has joined them. The cask in the corner is covered with a towel, sword and bow and rifle leaning against the wall. There are coat hooks on the wall beside the door -- that black duster, as well as his tan one, and a woolen cloak, hooded and green, that is suitable for hiding among the trees and leaves of Sherwood hang on the pegs.
The footlocker at the end of the bed is covered in cloth, and that sword (not the practice blade, but a finer, sharper weapon) is resting on it, polishing cloth beside it.
Doc crosses the room to the couch and coffeetable, and sets the contents of his hands down on the surface before he leans over to shove one of the windows open, pulling the curtains over it to allow for the morning breeze.
"Sorry 'bout the mess," he offers, before he motions for her to sit while he pulls his coat off, the flannel jacket ending up on the end of the bed.
She'll also notice the end of his bed is missing something familiar.
(His gunbelt is nowhere to be seen.)
It's really not all that horrible, but it's more 'lived in' than she's seen it before.
Once he's opened the door and they've stepped inside, the first thing she'll notice is that he's changed the layout of the room a bit, and his bed has been shoved up against the wall, his desk moved closer to the door. There's a new couch by the windows, with an end table that wasn't there before as well.
"Figured if I was gonna be livin' here I might as well make it less like a hotel room," he offers, by way of explanation, as he closes the door behind them with his foot, but doesn't bother to lock it.
There are books stacked on the desk, but not poetry or literature. History of Medieval England, for one. Several medical texts. There's an empty glass (and half empty bottle of Laphroaig) sitting on the desk as well. Scattered pages of notes. Half finished poems. Nothing but scratched sketches from a bored and frustrated writer's hand.
His bed is roughly made (sheets and blankets pulled up but not tucked in) and there are several other books on the side where another person would sleep. A hard bound selection of Keats is tucked in with a leather bound journal or two.
She'll see, tacked to the wall between the bed and desk, a piece of paper with the poem Jack quoted to him at a Happy Hour a few weeks ago, handwritten in black ink.
On the dresser, there are still the two folded paper cranes, one pink and one brown, but a third, a bright orange (like canned peaches) has joined them. The cask in the corner is covered with a towel, sword and bow and rifle leaning against the wall. There are coat hooks on the wall beside the door -- that black duster, as well as his tan one, and a woolen cloak, hooded and green, that is suitable for hiding among the trees and leaves of Sherwood hang on the pegs.
The footlocker at the end of the bed is covered in cloth, and that sword (not the practice blade, but a finer, sharper weapon) is resting on it, polishing cloth beside it.
Doc crosses the room to the couch and coffeetable, and sets the contents of his hands down on the surface before he leans over to shove one of the windows open, pulling the curtains over it to allow for the morning breeze.
"Sorry 'bout the mess," he offers, before he motions for her to sit while he pulls his coat off, the flannel jacket ending up on the end of the bed.
She'll also notice the end of his bed is missing something familiar.
(His gunbelt is nowhere to be seen.)
It's really not all that horrible, but it's more 'lived in' than she's seen it before.

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"I don't know what to say," he finally admits, voice low in that rough whisper of his. "I don't know what I can do to fix this, Kate. But you have my word." His thumb lightly trails over one of her fingers. "You have my word that I will never lie to you again."
Doc swallows softly, eyes still downcast to their hands.
"I'm sorry. For all of this."
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Pale, smooth fingers grip his calloused ones when he finishes.
She's trying to hold back tears.
"I remember when your word was worth so much..."
Her voice is frail when she speaks, and she doesn't mean to insult him. It's just the way things happened.
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His face doesn't show anything other than a calm exterior. There is a brief, passing flicker of pain but he blinks it away. Doc swallows, and his voice is quiet. So very, very quiet.
"I understand."
Faith. Hope.
He lied to her, and coming clean didn't work.
more blood on your hands
Doc slowly withdraws his hand from hers and then turns, bowing his head. His elbows rest on his knees, and his fingers card up through his hair to settle on the back of his neck. His eyes are closed.
"I understand."
There's a little more conviction behind it, but not much.
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She shakes her head and falls silent. Anything she can think to say right now just sounds shallow and useless.
Her hand grows cold when he pulls his away.
Her chin quivers just slightly, knowing she can't take back what she said. Knowing he can't take back what he did. Knowing they can't take back what Milliways and their lives outside have robbed them of.
He could never come back to Green Lake with her: build a life, raise a family, work an honest job.
She could never give up her home for him. For what? Milliways? He can't go back. He has a son and he can't go back...
She sniffles quietly and steadies her voice.
"Should I leave you?"
After what she's said, after all this baggage, maybe he wants to be alone. She stands slowly, waiting.
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Doc looks up at her. He'll be alright. He just knows the truth, and that's basically that he has to start over, from square one. Scratch. And he's bound and damn determined to build them up again.
"I just got back in from Sherwood," he says. "I could use the company."
He offers her a hint of a smile.
"And I do remember somethin' about you wantin' to see me work with the bow, or the sword, if I ain't mistaken. Perhaps after some breakfast?"
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"I did say that," she admits quietly.
Friends. They can do this. After a while it won't hurt so damn much. Right?
"A-and I am hungry. I haven't broken my fast yet today."
The donuts get a suspicious glance. They kind of look like round cakes.
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And that would prove to her that Doc is actually eating properly.
If they don't eat the donuts, they'll just get eaten later, probably in the middle of the night when he's too lazy to go downstairs to get a snack, so he doesn't care if they stay on the coffee table.
He stands from the couch and straightens his shirt a little.
"I could use to get changed...meet you downstairs in a few?"
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"I think it would do us both some good to eat a proper meal," she says, giving him a look. Yes, that look.
She straightens her own skirts, more out of nervousness than anything, and moves to the bed to retrieve her coat.
"All right," she says, folding the long red fabric over her arm. "Do you prefer a booth or a table, or...?"
This feels weird after such heavy conversation.
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He doesn't even realize the words would seem strange to anyone.
(Though if she now takes a look at his bedroom and how it's been arranged, she'll notice from the bed he can see the windows and doorways, and the fact that it's been pushed into the corner means nobody can sneak up behind him. The same with the desk, to an extent, and the location of the couch.)
Doc already is moving to get the door for the lady, as a proper gentleman should.
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She imagines if she'd been through half of what Doc has recently, she might have a similar desire.
(And the planned layout of the room is, now, noticed.)
She thanks him for holding the door for her and steps out into the hallway. Though this is Milliways, she still glances around to see if anyone has seen her exit Doc's room. Satisfied she is alone, she makes her way to the bar proper.
There's a table in the corner, snug between two walls, where one can see the wide majority of the eatery if they happen to be seated in the chair closest the corner.
Wisely, Katherine is sitting in the chair opposite, her back to the bar. She's sipping at another cup of tea, but she's taken care to request a pot of coffee as well, which sits steaming in the center of the table, next to an empty mug and a creamer full of milk.
She may join Doc for a cup later on. She hasn't decided yet.
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The sword and bow are left upstairs. He'll fetch them after breakfast, since it's not exactly proper to bring your weapons to the dining table.
He's quick in doing all this, so it's not long before he jogs downstairs, spots her in the corner, and makes his way over. His hair is combed back and still slightly damp, but he didn't bother shaving his beard.
"Perfect," he tells her, as he slides into the chair. "And y'got coffee. Extra perfect."
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She sets her cup down on its saucer with a soft clink.
"I didn't rush you, did I?" she asks, noting the slightly wet hair.
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"Old habits die hard," he offers quietly, as he then resumes pouring a cup of it, and adding just a dash of milk before he stirs it with a spoon.
He shakes his head.
"And no, you didn't. If I try and dry this," he motions up at his hair. "It'll just go all over anyway."
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His use of the word 'habit' isn't exactly comforting, either.
"So you were saying," she says, playing absently with her teacup. "About Sherwood. You went with Will?"
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Doc slowly draws the mug closer to him, and looks up at her.
"I know," he adds.
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He looks like a beaten puppy, sitting there.
"Know what?" she prods, with perhaps a hint of concern in those scolding eyes.
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He sips the coffee slowly, eyes on her over the rim of the cup. It's hot and nearly burns his tongue, but he'll survive, and he's had much worse.
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"It's just awful early. But it's not my business."
She looks away from him, somehow managing to catch the eye of a waitrat, who then scurries over.
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Doc shakes his head.
"Habit I picked up from ridin' long days on the trail. You ain't eager to get up into the saddle when you've been sleepin' on the ground, sometimes a dash'll make you a bit less sore."
When the waitrat comes over, he waits for her to give her order first before he orders his breakfast. Two eggs, 'over-easy' with sourdough toast and bacon, plus a few slices of melon, and a glass of milk.
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"Just as long as you're responsible, Josiah," she says, sipping at her tea again. "I know you're no longer on your medications, but it should go without saying you're not to replace one with another."
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It's not long before the waitrat returns with their food.
"So how long's it been for you outside?"
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She considers his question carefully as she butters her cornbread.
"Few months."
56 days.
"Was a while before I found a door."
Wasn't looking for one.
"Fall's almost over, back in Green Lake."
I didn't want to come back.
She neatly avoids his eyes, not wanting him to see the guilt shining there.
She pauses though, before she begins to eat, casting a furtive glance his way.
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The boys didn't hold hands (hell, Chavez never bowed his head and Steve just didn't give a shit) but for this, it feels right.
"Join me in sayin' a word?"
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She takes his hands lightly, bowing her head.
"Thank you," she whispers before he starts.
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"Bless, O Lord, this food we are about t'eat; and we pray You, O God, that it may be good for our body and soul. And if there be any poor creature hungry or thirsty walkin' along the road, send them into us, that we can share the food with them, just as You share your gifts with all of us."
He pauses, just a brief, fleeting second before he continues, his voice softer (because it's personal) and his hands tighten just a little around hers as he whispers.
"Dimitte mihi, Deus, dimitte peccata mea. Forgive me, Father."
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