[lincoln county]
[after highways 2]
The drive across White Sands is quick - little traffic, open road, clear sky - and they don't slow down until they hit Carrizozo, and it's not too much farther until they reach Capitan.
He tells her stories as he notices landmarks, but it's really just landscape, save for the few small towns they've come across.
It's so familiar it makes him nervous and excited at the same time.
It's like it ain't changed a bit.
The road into Lincoln is only a two-lane highway, with worn pavement and faded stripes, the hills on the side of the road brown and green from mix of heat and spring rain. It's quiet (they've turned the radio off at this point) and he's shed the sunglasses, eyes focused on the landscape.
There's a two-story brick building coming into view on the right side of the street, and they're already going pretty slow (not much traffic, but there are a few other people around), but he leans back and exhales, giving a nod to indicate what he's talking about.
"That's the courthouse." A beat. "Welcome to town."
The drive across White Sands is quick - little traffic, open road, clear sky - and they don't slow down until they hit Carrizozo, and it's not too much farther until they reach Capitan.
He tells her stories as he notices landmarks, but it's really just landscape, save for the few small towns they've come across.
It's so familiar it makes him nervous and excited at the same time.
It's like it ain't changed a bit.
The road into Lincoln is only a two-lane highway, with worn pavement and faded stripes, the hills on the side of the road brown and green from mix of heat and spring rain. It's quiet (they've turned the radio off at this point) and he's shed the sunglasses, eyes focused on the landscape.
There's a two-story brick building coming into view on the right side of the street, and they're already going pretty slow (not much traffic, but there are a few other people around), but he leans back and exhales, giving a nod to indicate what he's talking about.
"That's the courthouse." A beat. "Welcome to town."

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"I am gonna be pissed as all hell if there ain't."
Then he glances at her, and nods his head as he starts walking again. The space between the old buildings is relatively narrow (just wide enough for a horse if you had to squeeze through) but it's obviously been walked on recently.
Once they step out of the shadows, he exhales a sigh of relief at what he sees in front of him.
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Oh.
The two crosses are simple, rough-hewn, but smoothed with time and weather, wind and sand.
She looks at Doc, then back to the markers.
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And he's not mistaken, not on this, not when he can replay that day over and over in his mind, the feeling of cold earth on his hands and the scent of dust in his nostrils.
He doesn't stop walking as he speaks.
"Tunstall's on the left, they must have put Alex on his right."
There are two small markers in the ground at the base of each cross, brass - names and dates. He doesn't realize he's removed his hat, holding it carefully in one hand at his side, but he has.
John H. Tunstall. Died 1878.
Alex A. McSween. Died 1878.
He wonders if there was anyone with Susan when they put Alex in the ground. At least when they buried John, they had each other to stand with.
(Idly, he realizes that he's damn glad he's not alone right now.)
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(Ashes to ashes.)
"Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me."
(Dust to dust.)
Eyes on the markers, she folds her free hand in his.
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(You can still see the hand-carved lettering in the crosses.)
"Y'know, I think even after everything we did...he'd still be proud of me."
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"You're a good man, Doc -- someone who deserves that kind of respect."
Her fingers tighten on his knuckles.
"Of course he'd be proud of you."
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It's stated more like a fact than a regret. He knows he's done things that most people consider to be 'bad' and he knows that means he has a reputation and a track record.
But if you don't believe they were 'bad' at all...
...what does that mean?
He's not sure.
"So I'll take what I can git."
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She breaks her eyes from the crosses and looks at him.
"No."
She shakes her head.
"You are a good person. And the people who care about you? Every single one of them is proud of you."
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Part of him realizes he just needed to hear someone say it.
(She's the only one in months who has.)
He nods slowly.
"I..."
Doc exhales, closing his eyes and nodding again.
"I know, I just...needed someone t'say it for once."
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(But she means every word.)
"Hey."
She gives his hand a brief squeeze before turning to face him.
"Just c'mere for a second, okay?"
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He trails off when she turns to face him, and it's almost on instinct that he moves closer and into a hug.
She means it.
(Despite what she knows he's done, she still means every word.)
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"Everybody needs to hear that at some point."
Especially you, Doc.
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The way he says it, it's almost like it shouldn't be hard, like he should be stronger or that he should be better than this - and it's the time period and the era talking.
Men don't get emotional. They provide and they stay stable for the women. You bury your problems deep and your demons deeper.
Doc's tired of digging holes.
"M'sorry."
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"There's no reason to apologize, okay?"
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Eventually, he does raise his eyes to her gaze (acceptance shame worry gratefulness) and he nods.
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"With me? You're just going to have to."
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"I think I'll manage."
He'll do more than manage. He nods again.
"Seriously though, I appreciate it."
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"Okay."
His shoulders get a brief squeeze before she pulls back and clears her too-tight throat quietly; with another glance at the graves, then back to Doc, it's clear she's letting him decide if he's ready to leave yet.
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Be seein' you.
Hopefully it's not anytime soon, but you never know.
Doc then turns to Kate, and nods his head as they start to walk back towards the street.
"S'more of a...I guess you could say it's just the time period. Men don't talk 'bout their issues, especially not with womenfolk. I'm still gettin' used to the idea that you don't mind it."
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"And I get that -- I do."
She pauses and licks her lips.
"Does it ... do I make you uncomfortable when we talk about those things?"
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"Uncomfortable? No, no...I just..."
He shakes his head.
"I'm not used to be able to talk about this kind of stuff without havin' it come back to bite me later. It's...a welcome change."
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"Bite you?"
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They're automatically walking up the street towards the courthouse, he's using it as a heading more than an actual destination or goal (but she should see it, it's important too) as he talks.
"Things with Katherine and I ain't goin' so well, I think part of it is...my fault for not bein' able t'keep my feelin's back."
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"Doc, no -- "
She shakes her head.
"Wait, I shouldn't say that, because every relationship is different."
She lets out a slow breath.
"I will say that I almost ruined things with Bill when I got back to the bar last summer. I wasn't completely honest with him about what happened in L.A.; I didn't want him to know everything because I knew he'd feel terrible about not being there, but it backfired. I only made things more difficult because I tried to hold back."
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He looks down at the ground, and kicks a small stone with the toe of his boot.
"I mean we've..."
He shakes his head.
"I just get the feelin' she'd rather I make myself scarce."
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